Jump to content

Montserrat Caballé

From Wikipedia, the free encyclopedia
(Redirected from Montserrat Caballè)
"Caballe" redirects here. For other uses, see Caballé.

Montserrat Caballé
Caballé in Milan, 1971
Born
María de Montserrat Bibiana Concepción Caballé i Folch

(1933-04-12)12 April 1933
Barcelona, Spain
Died6 October 2018(2018-10-06) (aged 85)
Barcelona, Spain
Burial placeCementiri de Sant Andreu, Barcelona
Other namesLa Superba (The Superb One)[1]
EducationConservatori Superior de Música del Liceu
OccupationOperatic soprano
Years active1956–2018
Spouse
​
(m. 1964)​
Children2, including Montserrat Martí
Awards

María de Montserrat Bibiana Concepción Caballé i Folch[2][3] or Folc[4][5][a] (12 April 1933 – 6 October 2018), known simply as Montserrat Caballé (i Folch),[b] was a Spanish operatic soprano from Catalonia. Widely considered to be one of the best sopranos of the 20th century,[8][9] she won a variety of musical awards thoroughout her six-decade career, including three Grammy Awards.

Caballé performed a wide variety of roles, but is best known as an exponent of the works of Verdi and of the bel canto repertoire, notably the works of Rossini, Bellini, and Donizetti. She was noticed internationally when she stepped in for a performance of Donizetti's Lucrezia Borgia at Carnegie Hall in 1965, and then appeared at leading opera houses. Her voice was described as pure but powerful, with superb control of vocal shadings and exquisite pianissimo.

Caballé is also known for her 1987 duet with Freddie Mercury, "Barcelona", later used for the 1992 Olympic Games. The two had mutual admiration for each other and developed a close friendship.[10][11]

Early life

[edit]

Caballé was born in Barcelona on 12 April 1933.[12] Her family was of humble financial circumstances due to the Civil War.[12] She studied music at the Liceu Conservatory, and singing technique with Napoleone Annovazzi, Eugenia Kemény and Conchita Badía. She graduated with a gold medal in 1954. She subsequently moved to Basel, Switzerland, where she made her professional debut in 1956 as a last minute replacement as Mimì in Puccini's La bohème.[13]

She became part of the Basel Opera company between 1957 and 1959, singing a repertoire that included Mozart (Erste Dame in Die Zauberflöte) and Strauss (Salome) in German, unusual for Spanish singers, but which proved useful for her next engagement at the Bremen Opera (1959–1962). In 1961, she starred as Iphigénie in Gluck's Iphigénie en Tauride at the National Theatre of S. Carlos in Lisbon, alongside Raymond Wolansky, Jean Cox, Paul Schöffler and others.[14]

In 1962, Caballé returned to Barcelona and debuted at the Liceu, singing the title role in Strauss's Arabella. From the fall of 1962 through the spring of 1963 she toured Mexico, at one point singing the title role in Massenet's Manon at the Palacio de Bellas Artes. This was followed by several more successful appearances at the Liceu in 1963.[15]

International success

[edit]

Caballé's international breakthrough came in 1965 when she replaced a pregnant Marilyn Horne in a semi-staged performance of Donizetti's Lucrezia Borgia at New York's Carnegie Hall, which earned her a 25-minute standing ovation.[16] While this was her first engagement in a bel canto opera and she had to learn the role in less than one month, her performance made her famous throughout the opera world. Later that year, Caballé made her debut at the Glyndebourne Festival singing her first Marschallin in Richard Strauss' Der Rosenkavalier and portraying the role of Countess Almaviva in Mozart's Le nozze di Figaro.[17] Ryland Davies, who sang the Major Domo alongside Caballé in Der Rosenkavalier, told an anecdote about her. Onstage, she unexpectedly asked him for a cognac.[18]

Exiting stage left, he was met by an alarmed stage assistant, who was dispatched to the Long Bar to fetch one. Returning to the stage, he delivered the cognac to Caballé with the words "Ecco, Signora!" Whispering "Grazie, grazie!", she turned her back on the audience, drained the glass and continued in her role: "Abtreten die Leut!" ("Send everyone away.")[18]

In December 1965, she returned to Carnegie Hall for her second bel canto opera, singing the role of Queen Elizabeth I in Donizetti's recently rediscovered Roberto Devereux.[19] Caballé closed out the year with her Metropolitan Opera debut on 22 December 1965, appearing as Marguerite in Gounod's Faust alongside John Alexander in the title role, Justino Díaz as Méphistophélès, and Sherrill Milnes as Valentin in his debut at the Met.[20]

Caballé in 1969

In 1966, Caballé made her first appearance with the Philadelphia Lyric Opera Company as Maddalena di Coigny in Giordano's Andrea Chénier[21] and her Italian debut at the Maggio Musicale Fiorentino as Leonora in Verdi's Il trovatore, followed by Bellini's Il pirata in 1967. She returned to Philadelphia in 1967 to sing the title roles in Puccini's Tosca and Madama Butterfly, and to the Met to sing three Verdi heroines: Leonora alongside Richard Tucker as Manrico in Il Trovatore,[22] Desdemona in Otello with James McCracken in the title role,[23] and Violetta in La traviata, with Tucker and George Shirley alternating as Alfredo. She returned to the Met the following year in the title role in Verdi's Luisa Miller,[24] and in 1969 for the role of Liù in Puccini's Turandot, with Birgit Nilsson in the title role and James King as Calàf.[25] She also returned to Philadelphia as Imogene in Bellini's Il pirata (1968) and Lucrezia Borgia (1969).

In 1969, Caballé appeared at the Arena di Verona in a Jean Vilar production of Verdi's Don Carlo. She was Elisabetta of Valois in an all-star cast including Plácido Domingo and Piero Cappuccilli.[26] In the same period she also appeared in recital at the Teatro Corallo in Verona. In 1970, Caballé made her official debut at La Scala in the title role of Lucrezia Borgia. She appeared as Leonora in Philadelphia, and returned to the Met as Amelia in a critically acclaimed production of Verdi's Un ballo in maschera with Domingo as Riccardo, and Reri Grist as Oscar.[27]

In 1972, she made her first appearances at Covent Garden and the Lyric Opera of Chicago, both in the role of Violetta.[28] That same year she returned to the Met as Elisabetta in Don Carlo with Franco Corelli in the title role, and sang the title role of Bellini's Norma in Philadelphia.[29] In 1973 she returned to Chicago to perform the title role in Donizetti's Maria Stuarda with Viorica Cortez but left mid contract because she was suffering with phlebitis. This marked her final performance at the Lyric Opera of Chicago.[16] That same year she performed at the Met as Bellini's Norma, opposite Carlo Cossutta in his Met debut as Pollione and Fiorenza Cossotto as Adalgisa.[28]

Caballé in 1975

In 1974, Caballé appeared in the title role of Verdi's Aida at the Liceu in January, in Verdi's I vespri siciliani at the Met in March,[30] and in Parisina d'Este at Carnegie Hall, also in March.[31] She appeared as Norma at the Bolshoi Theatre in Moscow and in Adriana Lecouvreur at La Scala in April. She was filmed as Norma in Orange in July by Pierre Jourdain. She recorded Aida with Riccardo Muti in July and made a recording of duets with Giuseppe Di Stefano in August. In September 1974, she underwent major surgery to remove a large benign mass from her abdomen.[32] She recovered and was performing again onstage by early 1975. In 1976 Caballé appeared at the Met once again as Norma and sang her first Aida in that house, alongside Robert Nagy as Radamès and Marilyn Horne as Amneris.[33][34] She appeared in the title role of Ariadne auf Naxos by Richard Strauss and sang Mimì in Puccini's La bohème with Luciano Pavarotti as Rodolfo.[35][36]

In 1977 Caballé made her debut with the San Francisco Opera in the title role of Puccini's Turandot.[37] She returned to that house ten more times over the next decade in such roles as Elvira in Verdi's Ernani and the title roles in Ponchielli's La Gioconda, Rossini's Semiramide, and Puccini's Tosca, among others.[38][39][40]

Having lost some of her earlier brilliance and purity of voice, Caballé offered more dramatic expressive singing in roles that demanded it. In 1978, she was Tosca in San Francisco with Pavarotti, Norma in Madrid, and Adriana Lecouvreur at the Met opposite José Carreras. She continued to appear often at the Met during the 1980s, in roles such as Tosca (1980, 1985) and Elisabetta (1985), and also sang concerts in 1981 and 1983. She gave her final performances at the Met in October 1985 as Tosca with Pavarotti as Cavaradossi and Cornell MacNeil as Scarpia.[41][42]

Her voice was noted for its purity, precise control, and power. She was admired less for her dramatic instincts and acting skills than for her superb technique, vocal shadings, and exquisite pianissimos, which were inspired by Miguel Fleta.[43][44][45][46][47]

Later years

[edit]

In Bellini's Norma, Caballé recorded both the title role (for RCA Red Seal in 1972, with Domingo as Pollione) and later the role of Adalgisa, to Joan Sutherland's Norma in a 1984 Decca recording conducted by Richard Bonynge. Although Bellini conceived the role of Adalgisa originally for a soprano, it is usually now sung by a mezzo-soprano. Caballé was one of few sopranos to have recorded the role, although she was over age 50 at the time of the recording in 1984.[48] In 1986, she also took a role in the biographic film Romanza final, directed by José María Forqué.

Caballé in 1982

In 1987, Caballé made a rare excursion into the world of pop music when she released a duet with Freddie Mercury, the lead singer of the rock band Queen, which was titled "Barcelona".[49] The song was inspired by Caballé's home city and later used as one of the two official theme songs for the 1992 Olympic Games.[49] Mercury was a great admirer of Caballé, considering her voice to be "the best in the world".[50] The single was followed by an album of the same name which was released the following year and featured further collaborations between the two performers. The title track later became the anthem of the 1992 Summer Olympics which was hosted by Caballé's native city, and appeared again in the pop music charts throughout Europe. Caballé also performed the song live, accompanied by a recording by Mercury, who had died in 1991, before the 1999 UEFA Champions League final in Barcelona's Camp Nou stadium.[51][52]

In 1994, writing for The Independent, Fiammetta Rocco said: "Caballe is one of the last of the true divas. Callas is dead, Kiri Te Kanawa is busy making commercials for Sainsbury's, and Mirella Freni has never really risen out of the narrow confines of being an opera lover's opera-singer. Caballe, on the other hand, has always had an enormous following, and it's still with her today."[53]

In 1995, she worked with Vangelis for his album El Greco, dedicated to the Greek painter. In 1997, Mike Moran produced the album Friends For Life, which includes duets with Caballé and such singers as Bruce Dickinson, Johnny Hallyday, Johnny Logan, Gino Vannelli, and Helmut Lotti.[54]

Caballé dedicated herself to various charities. She was a UNESCO Goodwill Ambassador and established a foundation for needy children in Barcelona. In 2003, she starred in her own documentary film Caballé: Beyond Music, which featured many well-known opera singers, including Domingo, Pavarotti, Carreras, and Renée Fleming.[55]

In 2002, she appeared as Catherine of Aragon in Henri VIII by Saint-Saëns, and in 2004 in the title role of Massenet's Cléopâtre, both at the Liceu. She appeared as The Duchess of Crakenthorp in Donizetti's La fille du régiment at the Vienna State Opera in April 2007.[56]

In 2003, Patrick O'Connor wrote in Gramophone that:

no diva in memory has sung such an all-encompassing amount of the soprano repertory, progressing through virtually the entire range of Italian light lyric, lirico-spinto and dramatic roles, including all the pinnacles of the bel canto, Verdi and verismo repertories, whilst simultaneously being a remarkable interpreter of Salome, Sieglinde and Isolde.[57]

On 6 June 2013, Caballé was declared persona non grata in Azerbaijan after visiting the de facto independent state of Nagorno-Karabakh and meeting with local leaders, despite official warnings issued by the Azerbaijani embassy in Spain.[58]

Tax evasion

[edit]

In 2015 Caballé was under prosecution over allegations of tax evasion or fraud.[59] She admitted that despite living in Spain in 2010, she had registered in Andorra in order to avoid paying tax in Spain. In December 2015 the Spanish court found her guilty of fraud and gave her a six-month suspended jail sentence, ordering her to pay a fine of €254,231 ($280,000). She was also banned from receiving any public subsidies for a period of 18 months.[60]

Family

[edit]
Caballé with husband and son, at Galleria Vittorio Emanuele II, Milan, 1971

Caballé married Spanish tenor Bernabé Martí (1928–2022) on 14 August 1964 at Santa Maria de Montserrat Abbey.[61] They had two children: Bernabé Martí Jr. and Montserrat Martí, who is also an operatic soprano.[62]

Health problems and death

[edit]

On 20 October 2012, during her tour in Russia, Caballé suffered a stroke in Yekaterinburg and was quickly transferred to the Hospital de Sant Pau in Barcelona.[63]

In September 2018, she was admitted to the same hospital for a gallbladder problem.[49][64] She died there on 6 October 2018 at the age of 85. The cause of death was not given.[65][66] Felipe VI of Spain described Caballé as "the best of the best", and Spanish prime minister Pedro Sánchez called her the great ambassador of Spain.[66] Caballé was buried in the Cementiri de Sant Andreu in Barcelona.[67]

Recordings

[edit]

Caballé recorded extensively throughout her long career and made many notable recordings of complete operas as well as recital albums. After a number of recordings early in her career for RCA Victor Red Seal, Caballé also recorded for EMI, Decca, and Philips among other labels.[68] She left a "vast discography" of her major roles, including Aida, conducted by Riccardo Muti, Elisabetta in Don Carlo conducted by Carlo Maria Giulini, Fiordiligi in Mozart's Così fan tutte with Colin Davis,[57] Liù in Turandot alongside Joan Sutherland and Pavarotti, conducted by Zubin Mehta,[69] and Salome with Erich Leinsdorf. She recorded many bel canto and Rossini roles. Recital recordings include a Puccini collection with Charles Mackerras, a Strauss collection with Leonard Bernstein, and duets with Shirley Verrett. She performed the soprano solo in Verdi's Requiem with John Barbirolli.[57]

Discography

[edit]

Videography

[edit]

Music award nominations and wins

[edit]
Award Year[c] Recipient(s) Category Result Ref.
Grammy Awards 1967 Montserrat Caballé – Presenting Montserrat Caballe (Bellini and Donizetti arias) Best Classical Vocal Soloist Performance (with or without orchestra) Nominated [70]
Album of the Year - Classical Nominated [70]
1969 Montserrat Caballé – Rossini: Rarities Best Vocal Soloist Performance Won [70]
1975 Richard Mohr (producer); Georg Solti (conductor), Judith Blegen, Montserrat Caballé, Plácido Domingo, Sherrill Milnes, Ruggero Raimondi - Puccini: La bohème (London Philharmonic Orchestra) Best Opera Recording Won [71]
1976 Erik Smith (producer); Colin Davis (conductor), Richard Van Allan, Janet Baker, Montserrat Caballé, Ileana Cotrubaș, Wladimiro Ganzarolli, Nicolai Gedda - Mozart: Così fan tutte (Royal Opera House Orchestra) Best Opera Recording Won [72]
1989 Richard Bonynge, Montserrat Caballé, Luciano Pavarotti, Samuel Ramey & Joan Sutherland; Andrew Cornall, producer – Bellini: Norma (Welsh National Opera Chorus; Welsh National Opera Orchestra) Best Opera Recording Nominated [73]
2004 Montserrat Caballé – Songs of the Spanish Renaissance, Vol. 1 Best Classical Vocal Performance Nominated [70]
Latin Grammy Awards 2007 Montserrat Caballé, artist. Carlos Caballé, producer. Mauricio Tonelli, engineer. Josep Baiges & Marc Blanes, engineers/mixers – La Canción Romántica Española Best Classical Album Won [74]
Primetime Creative Arts Emmy Awards 1986 John Goberman, producer; Marc Bauman, coordinating producer; Isaac Stern, Itzhak Perlman and Montserrat Caballé, performers - New York Philharmonic Celebration with Isaac Stern Outstanding Classical Program in the Performing Arts Nominated [75]
RSH-Gold 1996 Montserrat Caballé – Barcelona Classic LP of the Year Won [76]

Honours and awards

[edit]
Plaque at her birthplace in Barcelona
Music academy Montserrat Caballé in Arganda del Rey.

Notes

[edit]
  1. ^ In this Catalan name, the first or paternal surname is Caballé and the second or maternal family name is Folch; both are generally joined by the conjunction "i".
  2. ^ Pronunciation: UK: /kəˈbæljeɪ, ˌkæbæ(l)ˈjeɪ/ kə-BAL-yay, KAB-a(l)-YAY,[6][7] US: /ˌkɑːbɑːˈjeɪ/ KAH-bah-YAY,[7] Catalan: [munsəˈrat kəβəˈʎe (j ˈfolk)].
  3. ^ Indicates the year of ceremony. Each year is linked to the article about the awards held that year, wherever possible.

References

[edit]
  1. ^ Senz, Javier Pérez (6 October 2018). "Caballé, la 'Superba'". El País (in Spanish). Retrieved 22 February 2023.
  2. ^ "Montserrat Caballé i Folch | Real Academia de la Historia". dbe.rah.es. Retrieved 3 September 2022.
  3. ^ "Trauer um Montserrat Caballé / Die letzte große Operndiva ist tot". Frankfurter Allgemeine Zeitung (in German). dpa. 6 October 2018. Retrieved 30 August 2021.
  4. ^ "Montserrat Caballé i Folc | enciclopedia.cat". www.enciclopedia.cat. Retrieved 3 September 2022.
  5. ^ ub. "Honoris causa – Universitat de Barcelona". ub.edu (in Catalan). Retrieved 3 September 2022.
  6. ^ "Caballé, Montserrat". Lexico UK English Dictionary. Oxford University Press.[dead link]
  7. ^ a b "Caballé, Montserrat". Longman Dictionary of Contemporary English. Longman. Retrieved 20 August 2021.
  8. ^ Alier, Roger (2007). Diccionario de la Ópera. Ediciones Robinbook.
  9. ^ "Remembering Montserrat Caballé's Unique Artistry". 6 October 2018. Retrieved 22 February 2023.
  10. ^ "How Freddie Mercury and Montserrat Caballé made musical history". El País. 8 October 2018. Retrieved 22 February 2023.
  11. ^ "When Queen's Freddie Mercury Teamed Up with Opera Superstar Montserrat Caballé in 1988: A Meeting of Two Powerful Voices". Open Culture. 31 December 2020. Retrieved 22 February 2023.
  12. ^ a b Smith, Bonnie G. The Oxford Encyclopedia of Women in World History. Oxford University Press.
  13. ^ Miller, Sarah Bryan Miller (27 August 1995). "HER BRILLIANT CAREER". Chicago Tribune. Retrieved 31 December 2020.
  14. ^ Sadie, Stanley (2 February 1996). The Grove Book of Operas. St. Martin's Press. ISBN 9780195309072. Archived from the original on 6 October 2018. Retrieved 6 October 2018 – via Google Books.
  15. ^ Biography of Montserrat Caballé at operissimo.com (in German) Archived 27 March 2012 at the Wayback Machine. Hosting.operissimo.com. Retrieved 29 October 2015.
  16. ^ a b von Rhein, John (13 February 2009). "The Last Prima Donna still goes on". Chicago Tribune. Retrieved 31 December 2020.
  17. ^ "Montserrat Caballé obituary". The Guardian. 7 October 2018. Retrieved 31 December 2020.
  18. ^ a b Millington, Barry (7 November 2023). "Ryland Davies obituary". The Guardian. Retrieved 8 November 2023.
  19. ^ Schonberg, Harold C. (15 December 1965). "Music: Donizetti Trove; Opera Society Unearths 'Roberto Devereux' (Published 1965)". The New York Times. ISSN 0362-4331. Retrieved 31 December 2020.
  20. ^ Ericson, Raymond (23 December 1965). "Music: New Faces in Met's 12th 'Faust'; Miss Caballe Impresses in Her Opera Debut (Published 1965)". The New York Times. ISSN 0362-4331. Retrieved 31 December 2020.
  21. ^ Free Library of Philadelphia: Box: Phila. Lyric Opera Company: 782.1 P5326p Bal Two [1968 – 1975]
  22. ^ "MISS CABALLE SINGS LEAD IN 'TROVATORE' (Published 1967)". The New York Times. 9 February 1967. ISSN 0362-4331. Retrieved 31 December 2020.
  23. ^ Schonberg, Harold C. (1 March 1967). "Opera: A Promising 'Otello' at the Met; Last 2 Acts Performed on High Level (Published 1967)". The New York Times. ISSN 0362-4331. Retrieved 31 December 2020.
  24. ^ "You are being redirected..." Opera News. Retrieved 31 December 2020.
  25. ^ "The soprano Montserrat Caballé has died". Gramophone. Retrieved 31 December 2020.
  26. ^ "The Don Carlo of 1969. The Arena at the centre of the world". Opera Arena Magazine. 11 June 2017. Retrieved 31 December 2020.
  27. ^ Hughes, Allen (5 October 1970). "SINGERS ENHANCE 'UN BALLO' AT MET (Published 1970)". The New York Times. ISSN 0362-4331. Retrieved 31 December 2020.
  28. ^ a b Schonbero, Harold C. (14 February 1973). "Opera: Cheers in 'Norma' (Published 1973)". The New York Times. ISSN 0362-4331. Retrieved 31 December 2020.
  29. ^ "'Don Carlo' at Met Marked by Beauty (Published 1972)". The New York Times. 6 April 1972. ISSN 0362-4331. Retrieved 31 December 2020.
  30. ^ Schonberg, Harold C. (1 February 1974). "Opera: 'I Vespri Siciliani' at the Met (Published 1974)". The New York Times. ISSN 0362-4331. Retrieved 31 December 2020.
  31. ^ Ericson, Raymond (8 March 1974). "Opera: Donizetti's Choice (Published 1974)". The New York Times. ISSN 0362-4331. Retrieved 31 December 2020.
  32. ^ "Cabalte to Have Surgery (Published 1974)". The New York Times. 30 August 1974. ISSN 0362-4331. Retrieved 31 December 2020.
  33. ^ Ericson, Raymond (22 February 1976). "Opera: Caballe Sings 'Norma' at Met (Published 1976)". The New York Times. ISSN 0362-4331. Retrieved 31 December 2020.
  34. ^ "Met Opera Dedicates 'Aida' Performance to Montserrat Caballé". Opera Wire. 15 October 2018. Retrieved 31 December 2020.
  35. ^ Hughes, Allen (21 March 1976). "Opera: 'Ariadne' at Met (Published 1976)". The New York Times. ISSN 0362-4331. Retrieved 31 December 2020.
  36. ^ "Caballe, Pavarotti Make Met Toheme A Memorable Night (Published 1976)". The New York Times. 29 March 1976. ISSN 0362-4331. Retrieved 31 December 2020.
  37. ^ "S.F. Opera's Fabled Turandot on the Air". San Francisco Classical Voice. Retrieved 31 December 2020.
  38. ^ "In Quest of Donizetti and Early Verdi (January-July, 2020) • Opera Warhorses". Opera Warhorses. 7 November 2019. Retrieved 31 December 2020.
  39. ^ ""Almost Famous": THE THREE TENORS at San Francisco Opera 1967-1981 • Opera Warhorses". Opera Warhorses. 6 January 2007. Retrieved 31 December 2020.
  40. ^ ""Norma" at San Francisco Opera, November 21, 2005 • Opera Warhorses". Opera Warhorses. 26 November 2005. Retrieved 31 December 2020.
  41. ^ Henahan, Donal (25 September 1985). "MET OPERA: SEASON PREMIERE (Published 1985)". The New York Times. ISSN 0362-4331. Retrieved 31 December 2020.
  42. ^ "UNPOPULAR MASTERPIECE : HALFHEARTED REVIVAL OF JANACEK'S 'JENUFA'". Los Angeles Times. 4 October 1985. Retrieved 31 December 2020.
  43. ^ Pines, Roger (8 March 2011). "Montserrat Caballé: A Voice of Passionate Grandeur". NPR. Archived from the original on 6 October 2018. Retrieved 6 October 2018.
  44. ^ "Perfectly Lovely – Montserrat Caballe". 13 October 2012. Archived from the original on 6 October 2018. Retrieved 6 October 2018.
  45. ^ "The Cuperto". voiceteacher.com. Archived from the original on 6 February 2018. Retrieved 6 October 2018.
  46. ^ Katz, Joel (4 August 2011). "Voice and opera training: Those Caballe pianissimi". Archived from the original on 6 October 2018. Retrieved 6 October 2018.
  47. ^ Riggs, Geoffrey S. (2003). The Assoluta Voice in Opera, 1797–1847. Jefferson, North Carolina: McFarland. pp. 125, 127, 144. ISBN 0786440775. Archived from the original on 6 October 2018. Retrieved 6 October 2018.
  48. ^ McCants, Clyde T. (28 February 2003). Opera for Libraries: A Guide to Core Works, Audio and Video Recordings, Books and Serials. McFarland. ISBN 9780786414420. Archived from the original on 6 October 2018. Retrieved 6 October 2018 – via Google Books.
  49. ^ a b c "Montserrat Caballé, Barcelona opera singer, dies at 85". BBC. Archived from the original on 6 October 2018. Retrieved 6 October 2018.
  50. ^ Sullivan, Caroline (27 September 2012). "Freddie Mercury: the great enigma". The Guardian. London. Archived from the original on 9 June 2015. Retrieved 9 April 2015.
  51. ^ Mitten, Andy, ed. (1999). "The Long Road Trip to Victory". Kings of Europe. Manchester United: 11.
  52. ^ Pilger, Sam (June 1999). Barnes, Justyn (ed.). "The Promised Land". Manchester United. 7 (8): 27.
  53. ^ "When the ample Catalan sings: Callas is no more; Kiri Te Kanawa is". Archived from the original on 6 October 2018. Retrieved 6 October 2018.
  54. ^ "Montserrat Caballé: Friends for Life – Montserrat Caballé – Credits". AllMusic. Archived from the original on 6 October 2018. Retrieved 6 October 2018.
  55. ^ "Caballe: Beyond Music". operatoday:com. Archived from the original on 6 October 2018. Retrieved 6 October 2018.
  56. ^ "Vorstellungen mit Montserrat Caballé". Vienna State Opera. Archived from the original on 6 October 2018. Retrieved 6 October 2018.
  57. ^ a b c "The soprano Montserrat Caballé has died". Gramophone. 6 October 2018. Archived from the original on 6 October 2018. Retrieved 6 October 2018.
  58. ^ Montserrat Caballe Declared Persona Non Grata In Azerbaijan Archived 7 January 2016 at the Wayback Machine. Radio Free Europe/Radio Liberty/Radio Liberty. 6 June 2013. Retrieved 27 April 2015.
  59. ^ Minder, Raphael (14 May 2015). "Montserrat Caballé, Spanish Soprano, Fails to Appear in Court to Settle Tax Case". The New York Times. Archived from the original on 6 October 2018. Retrieved 6 October 2018.
  60. ^ Soprano Montserrat Caballé given six month sentence for tax evasion Archived 16 December 2015 at the Wayback Machine. The Local. 15 December 2015.
  61. ^ Olabarrieta, Ane (6 October 2018). "La gran historia de amor de Montserrat Caballé y su marido Bernabé Martí". El Español (in Spanish). Archived from the original on 6 October 2018. Retrieved 6 October 2018.
  62. ^ EFE (3 October 1992). "Una nota de mujer". El Tiempo (in Spanish). Archived from the original on 6 October 2018. Retrieved 6 October 2018.
  63. ^ Meléndez-Haddad, Pablo (23 October 2012). "Montserrat Caballé, en observación tras sufrir un ictus reversible". ABC (in Spanish). Archived from the original on 15 July 2014. Retrieved 3 August 2014.
  64. ^ "La soprano Montserrat Caballé, hospitalizada en Barcelona". El País (in Spanish). Barcelona: Prisa. 24 September 2018. Archived from the original on 6 October 2018. Retrieved 6 October 2018.
  65. ^ Cia, Blanca (6 October 2018). "Muere Montserrat Caballé, la diva de todos". El País (in Spanish). Prisa. Archived from the original on 6 October 2018. Retrieved 6 October 2018.
  66. ^ a b "Spanish opera singer Montserrat Caballe dies at 85". NBC News. 6 October 2018.
  67. ^ "Ruta diürna Cementiri de Sant Andreu". Esdeveniments CBSA (in Catalan). 17 May 2022. Retrieved 23 June 2022.
  68. ^ "Audio recordings with Montserrat Caballé". Library of Congress. Archived from the original on 6 October 2018. Retrieved 6 October 2018.
  69. ^ Steane, John (25 April 2014). "Puccini's Turandot: a survey of recordings". Gramophone. Retrieved 13 October 2018.
  70. ^ a b c d "Montserrat Caballe". 12 April 2022. Retrieved 12 April 2022.
  71. ^ "Grammy Awards Nominee 1975 – Grammy Award Winners 1975". awardsandshows.com. Retrieved 27 April 2017.
  72. ^ "Grammy Award Nominees 1976 – Grammy Award Winners 1976". awardsandshows.com. Retrieved 27 April 2017.
  73. ^ "Grammy Award Nominees 1989 – Grammy Award Winners 1989". awardsandshows.com. Retrieved 27 April 2017.
  74. ^ "Search Latin Grammy Winners". latingrammy.com. Retrieved 12 April 2022.
  75. ^ "Nominees/Winners | Television Academy". Emmys.com. Retrieved 14 June 2017.
  76. ^ "RSH - Wie alles begann... - RSH Gold 1996". Rsh-history.de. Archived from the original on 7 October 2018. Retrieved 6 October 2018.
  77. ^ "Premio Principe de Asturias de las Artes 1991" (in Spanish). Fundacion Princesa de Asturias. Retrieved 31 January 2017.
  78. ^ "Decreto 1710/1975 por el que se concede la Gran Cruz de Orden Civil de Alfonso X El Sabio a doña Montserrat Caballé" (PDF). Boletín Oficial del Estado (in Spanish). Ministerio de Educación y Ciencia. 18 July 1975. p. 15514. Archived (PDF) from the original on 10 August 2014. Retrieved 3 August 2014.
  79. ^ "El paso por Asturias de la gran diva Montserrat Caballé". El Comercio. 6 October 2018.
  80. ^ "Opernstar Montserrat Caballé bekommt Bundesverdienstkreuz". ShortNews. 10 October 2003. Archived from the original on 1 October 2011. Retrieved 19 March 2011.
  81. ^ "Montserrat Caballé – Biography". Artists Stefan Schmerbeck Management website. Archived from the original on 21 March 2012. Retrieved 19 March 2011.
  82. ^ "Caballé recibe la Legión de Honor de Francia" (in Spanish). Archived from the original on 6 October 2018. Retrieved 6 October 2018.
  83. ^ Interview Archived 4 March 2016 at the Wayback Machine im Online Merker, April 2007. Retrieved 20 October 2015.
  84. ^ "Universia España. Portal de las Universidades españolas". universia.net. Archived from the original on 6 January 2009.
  85. ^ "Universitat Honoris Caballe" (PDF). Ub.edu (in Spanish). Archived (PDF) from the original on 24 April 2018. Retrieved 6 October 2018.
  86. ^ "Le onorificenze della Repubblica Italiana" [The honors of the Italian Republic]. Quirinale.it (in Italian). Archived from the original on 6 October 2018. Retrieved 6 October 2018.
  87. ^ "Montserrat Caballé, investida doctora 'honoris causa'" (in Catalan). 8 February 2011. Retrieved 9 February 2011.
  88. ^ "Montserrat Caballe: Why Google Honours Her Today". Al Jazeera. 12 April 2022. Retrieved 12 April 2022.
[edit]
Wikimedia Commons has media related to Montserrat Caballé.
Retrieved from "https://en.wikipedia.org/w/index.php?title=Montserrat_Caballé&oldid=1244615010"